Art History

Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship. At the forefront of scholarly enquiry, its contributions are opening up the discipline to new developments and to the interdisciplinary and cross-cultural approaches which are increasingly important in a globalised world.

Five issues per year: February, April, June, September, November.

ISSN (print): 
ISSN (online): 

Latest articles

Jimmie Durham's Building a Nation and the Ruins of American Exceptionalism
The Attraction of the American Author's House: Architecture, Guidebooks, and Display, 1853–1904
Confucius and Tolstoy in India: Shi Lu's Paintings of 1970 and the Socialist Culture of Maoist-Period China
Juliane Noth, ONLINE EARLY
Currency from Opinion: Imitation Banknotes and the Materiality of Paper Currency in Britain, 1782–1847
Amanda Lahikainen, ONLINE EARLY
Sightlines, Hagioscopes, and Church Planning in Byzantine Cappadocia
Robert Ousterhout, ONLINE EARLY

Volume 39 (3)

Agnolo Bronzino's Pygmalion and the Statue and the Dawn of Art
Stuart Lingo, vol. 39 (3): 0-0
Russkie Akvafortisty: The Society of Russian Etchers and Early Artistic Organization in the Russian Art World, 1871–75
Galina Mardilovich, vol. 39 (3): 0-0
Abstracts & Authors’ Biographies
vol. 39 (3): 432-435
Relay and Delay: Dürer's Triumphal Chariots in the Era of the Post
Shira Brisman, vol. 39 (3): 436-465
Reassessing Piero di Cosimo
Paula Nuttall, vol. 39 (3): 600-603
Looking at Dutch Visual Culture
Caroline O. Fowler, vol. 39 (3): 604-608
Thinking Beauty Through: Paul Guyer's Narrative of Modern Aesthetics
Sarah Hegenbart, vol. 39 (3): 609-611
Paris Goes Global: Nineteenth-Century Art History's Transnational Turn
Alexis Clark, vol. 39 (3): 612-615
A Metaphysical Journey
Willard Bohn, vol. 39 (3): 616-619
Working It Out
Kamini Vellodi, vol. 39 (3): 619-622
Living Pluralism: Lawrence Alloway as Critic, Curator and Teacher
Rachel Stratton, vol. 39 (3): 622-627
Same Old Marxist Art History
James Day, vol. 39 (3): 627-631

Volume 39 (2)

Abstracts & Authors’ Biographies
vol. 39 (2): 192-197
After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick, Richard Taws, vol. 39 (2): 198-209
Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project
Pamela H. Smith, , vol. 39 (2): 210-233