Art History

Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship. At the forefront of scholarly enquiry, its contributions are opening up the discipline to new developments and to the interdisciplinary and cross-cultural approaches which are increasingly important in a globalised world.

Five issues per year: February, April, June, September, November.

Publisher: 
Wiley-Blackwell
ISSN (print): 
01416790
ISSN (online): 
1467-8365

Latest articles

Toward a Cultural Ecology of Architectural Glass in Early Modern Northern Europe
Morgan Ng, ONLINE EARLY
Fashioning the Passion: The Poor Clares and the Clothing of Christ
Holly Flora, ONLINE EARLY
‘His Wretched Hand’: Aubrey Beardsley, the Grotesque Body, and Viennese Modern Art
Nathan J. Timpano, ONLINE EARLY
‘No Picture more Charming’: The Family Portrait in Eighteenth-Century France
Emma Barker, ONLINE EARLY
Authorless Pictures: Uses of Photography in Christian Boltanski's Early Work (1969–75)
Olga Smith, ONLINE EARLY
The Oceanic Primitivism of Len Lye's Animation Tusalava (1929)
Ann Stephen, ONLINE EARLY
Flip, Linger, Glide: Coles Phillips and the Movements of Magazine Pictures
Jennifer A. Greenhill, ONLINE EARLY
Pictorial Theology and the Paragone in Pontormo's Capponi Chapel
Jessica Maratsos, ONLINE EARLY

Volume 40 (2)

Abstracts & Authors' Biographies
vol. 40 (2): 240-245
Introduction: Art and Religious Reform in Early Modern Europe
Bridget Heal, vol. 40 (2): 246-255
Karlstadt's Wagen: The First Visual Propaganda for the Reformation
Lyndal Roper, Jennifer Spinks, vol. 40 (2): 256-285
‘Between these Two Kingdoms’: Exile, Election, and Godly Law in Sebald Beham's Moses and Aaron
Mitchell B. Merback, vol. 40 (2): 286-311
The Unassembled Grammar of the Drawing in the Era of Reform
Shira Brisman, vol. 40 (2): 312-335
The Family at Table: Protestant Identity, Self-Representation and the Limits of the Visual in Seventeenth-Century Zurich
Andrew Morrall, vol. 40 (2): 336-357
Lutheran Baroque: The Afterlife of a Reformation Altarpiece
Bridget Heal, vol. 40 (2): 358-379
Images (Not) Made By Chance
Amy Knight Powell, vol. 40 (2): 380-403
The Art of Solitude: Environments of Prayer at the Bavarian Court of Wilhelm V
Christine Göttler, vol. 40 (2): 404-429
The Reliquary Reformed
Mia M. Mochizuki, vol. 40 (2): 430-449
Afterword
Joseph Leo Koerner, vol. 40 (2): 450-455

Volume 40 (1)

Abstracts & Authors' Biographies
vol. 40 (1): 4-7