Historical Journal of Film, Radio and Television

The Historical Journal of Film, Radio and Television is an interdisciplinary journal concerned with the evidence produced by the mass media for historians and social scientists, and with the impact of mass communications on the political and social history of the twentieth century. The needs of those engaged in research and teaching are served by scholarly articles, book reviews and by archival reports concerned with the preservation and availability of records. The journal also reviews films, television and radio programmes of historical or educational importance. In addition, it aims to provide a survey of developments in the teaching of history and social science courses which involve the use of film and broadcast materials. It is the official journal of the International Association for Media and History (IAMHIST), and is supported by the College of Arts and Sciences, Louisiana State University.

4 issues a year.

Publisher: 
Routledge
ISSN (print): 
01439685
ISSN (online): 
14653451

Latest articles

Volume 37 (1)

Filming Horror: Hindi Cinema, Ghosts and Ideologies
vol. 37 (1): 128-130
Expressionism and Film
vol. 37 (1): 130-132
Film Bild Kunst: Visuelle Ästhetik des vorklassischen Stummfilms
vol. 37 (1): 132-134
Julie Christie
vol. 37 (1): 136-138
Lichtspiele im Schatten der Armut
vol. 37 (1): 138-140
The Rise and Fall of the UK Film Council
vol. 37 (1): 143-145
Producing Behind the Silver Screen: A Modern History of Filmmaking
vol. 37 (1): 145-147
The Marvel Studios Phenomenon: Inside a Transmedia Universe
vol. 37 (1): 147-149
Animation: A World History
vol. 37 (1): 149-151
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960
vol. 37 (1): 151-154
Moralizing Cinema: Film, Catholicism, and Power
vol. 37 (1): 154-156
Shooting from the East: Filmmaking on the Canadian Atlantic
vol. 37 (1): 156-159

Volume 36 (4)

Editorial Board
vol. 36 (4): 0-0
Roger Casement on Screen: The Background Story on an Historical Film Opportunity, 1915–1916
vol. 36 (4): 493-508
Trophy, evidence, document: appropriating an archive film from Liepaja, 1941
vol. 36 (4): 509-528
Re-orientating Japanese cinema: cold war criticism of ‘anti-American’ films
vol. 36 (4): 529-547
Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative
vol. 36 (4): 548-568
Cinema advertising and the Sea Witch ‘Lost Island’ film (1965)
vol. 36 (4): 569-586
Exploiting local controversy: regional British censorship of Last Tango in Paris (1972)
vol. 36 (4): 587-603
The ballad of Alan and Auntie Beeb: Alan Lomax’s radio programmes for the BBC, 1943–1960
vol. 36 (4): 604-626