Historical Journal of Film, Radio and Television

The Historical Journal of Film, Radio and Television is an interdisciplinary journal concerned with the evidence produced by the mass media for historians and social scientists, and with the impact of mass communications on the political and social history of the twentieth century. The needs of those engaged in research and teaching are served by scholarly articles, book reviews and by archival reports concerned with the preservation and availability of records. The journal also reviews films, television and radio programmes of historical or educational importance. In addition, it aims to provide a survey of developments in the teaching of history and social science courses which involve the use of film and broadcast materials. It is the official journal of the International Association for Media and History (IAMHIST), and is supported by the College of Arts and Sciences, Louisiana State University.

4 issues a year.

Publisher: 
Routledge
ISSN (print): 
01439685
ISSN (online): 
14653451

Latest articles

Volume 37 (3)

The Stanley Kubrick Archive: A Dossier of New Research
vol. 37 (3): 367-372
Stanley Kubrick: Known and Unknown
vol. 37 (3): 373-395
Epicentre of an Earthquake: The Literary Sources of Full Metal Jacket (1987)
vol. 37 (3): 396-415
What was HAL? IBM, Jewishness and Stanley Kubrick’s 2001: A Space Odyssey (1968)
vol. 37 (3): 416-435
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet
vol. 37 (3): 436-454
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet
vol. 37 (3): 436-454
‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom
vol. 37 (3): 455-474
‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom
vol. 37 (3): 455-474
Industrial organization of film exhibitors in the Low Countries: comparing the Netherlands and Belgium, 1945–1960
vol. 37 (3): 475-498
Industrial organization of film exhibitors in the Low Countries: comparing the Netherlands and Belgium, 1945–1960
vol. 37 (3): 475-498
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951)
vol. 37 (3): 499-516
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951)
vol. 37 (3): 499-516
Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association
vol. 37 (3): 517-538
Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association
vol. 37 (3): 517-538
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film
vol. 37 (3): 539-558
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film
vol. 37 (3): 539-558
Whatever happened to the British ‘B’ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s
vol. 37 (3): 559-576
Whatever happened to the British ‘B’ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s
vol. 37 (3): 559-576
Off to the Pictures: Cinema-going, Women’s Writing and Movie Culture in Interwar Britain
vol. 37 (3): 577-579
Off to the Pictures: Cinema-going, Women’s Writing and Movie Culture in Interwar Britain
vol. 37 (3): 577-579