Historical Journal of Film, Radio and Television

The Historical Journal of Film, Radio and Television is an interdisciplinary journal concerned with the evidence produced by the mass media for historians and social scientists, and with the impact of mass communications on the political and social history of the twentieth century. The needs of those engaged in research and teaching are served by scholarly articles, book reviews and by archival reports concerned with the preservation and availability of records. The journal also reviews films, television and radio programmes of historical or educational importance. In addition, it aims to provide a survey of developments in the teaching of history and social science courses which involve the use of film and broadcast materials. It is the official journal of the International Association for Media and History (IAMHIST), and is supported by the College of Arts and Sciences, Louisiana State University.

4 issues a year.

Publisher: 
Routledge
ISSN (print): 
01439685
ISSN (online): 
14653451

Latest articles

Volume 37 (2)

Lost adaptations: piracy, ‘Rip Offs’, and the Australian Copyright Act 1905
vol. 37 (2): 161-173
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933
vol. 37 (2): 174-202
Conflicting interpretations of Rome, Open City in 1945 Italy
vol. 37 (2): 203-219
Anglo-Italian co-productions in the 1950s and 1960s: film finances, the Prince and Venice
vol. 37 (2): 220-241
Banging the gong: the promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
vol. 37 (2): 242-271
Hollywood’s Muddle East: political change in Egypt and Israel and the consequences for Hollywood’s Middle Eastern Movie Theaters
vol. 37 (2): 272-294
A crusade over the airwaves: the Blue Division on Radio Nacional de España (1941–1954)
vol. 37 (2): 295-314
(Un)Familiar spaces of television production: the BBC’s visit to the Soviet Union in 1956
vol. 37 (2): 315-332
Creating Carmen Miranda: Race, Camp, and Transnational Stardom
vol. 37 (2): 334-336
Broadcasting in the UK and the US in the 1950s: Historical Perspectives
vol. 37 (2): 338-340
The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde
vol. 37 (2): 340-342
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
vol. 37 (2): 342-343
The Children’s Film Foundation: History and Legacy
vol. 37 (2): 343-345
Expressionism in the Cinema
vol. 37 (2): 347-349
The US–Mexico Border in American Cold War film: Romance, Revolution, and Regulation
vol. 37 (2): 349-351
Exposing the Film Apparatus: The Film Archive as a Research Laboratory
vol. 37 (2): 351-354
Twenty British Films: A Guided Tour
vol. 37 (2): 356-357
Mad Men: A Cultural History
vol. 37 (2): 359-361
Memorial Notice: Daniel J. Leab (1936–2016)
vol. 37 (2): 362-364

Volume 37 (1)

Filming Horror: Hindi Cinema, Ghosts and Ideologies
vol. 37 (1): 128-130