Browse all Reviews
Next year will mark the centenary of one of the most extreme and brutal displays of colonial power and violence, the so called Amritsar Massacre of 1919. The massacre took place in a public park called Jallianwala Bagh in the city of Amritsar where British Indian army’s Colonel Reginald Dyer on 13 April 1919 ordered his troops to fire on unarmed protestors gathered there.
In the last year several books appeared focused on the United States in the world that seek to combine a study of intellectual history, popular culture and politics in a long breath of the 19th century.
The late 12th century has long been recognised as a ‘golden age’ of medieval English historiography, and in many ways Michael Staunton’s Historians of Angevin England is a study of that age. To be more precise, it is an examination of the flowering of contemporary history writing in the period between the Great Revolt of 1173–4 and the loss of Normandy in 1204.
This week in Reviews in History we are focussing on a single book, Jon Wilson's India Conquered: Britain's Raj and the Chaos of Empire. We invited five reviewers to contribute to a round table discussion and take up different aspects of the book, with the author then responding to each in turn.
In Room 145 of the Ceramics Galleries of the Victoria & Albert Museum, at the top of case 50, you can see an ‘architectural fragment’, which, according to its label, ‘once ornamented a palace in Yuanmingyuan or “garden of perfect clarity”’.
The BBC began broadcasting television programmes from its own studios in 1932 and launched a regular TV service in 1936, only to shut it down when, three years later, Great Britain declared war on Germany. Edward Stourton’s Auntie’s War: The BBC during the Second World War is therefore about radio, and in particular the tug of war within the corporation between 1939 and 1945.
Francis Young’s Magic as a Political Crime in Medieval and Early Modern England makes an important contribution to both the historiography of political culture in medieval and early modern England and the historiography of magic. This book develops ideas from Young’s previous monograph English Catholics and the Supernatural, 1553–1829.
Historians of British art have needed a book-length re-examination of the conversation piece and its role(s) in 18th-century society for some time.
Over the past years, there has been a lot of debate around the nature of scholarship in the area of Humanities Computing or, more recently, Digital Humanities (DH); more specifically, there have been several attempts to define it and identify its disciplinary characteristics.(1) Despite disagreements in terms of its definition, though, the field has now reached a stage
David Brundage’s Irish Nationalists in America employs no sleight of hand in its title. It is a short, well-crafted new survey of Irish nationalists in the United States from the late 18th century to the close of the 20th that is more than the sum of its parts.