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In 2001, during a Round Table discussion at the College Art Association Conference in Chicago, the Czech art historian and critic Martina Pachmanová raised the issue of agency in the construction of the dominant narratives of East-Central European art.
‘Earth, earth, do not cover our blood and do not keep silent’.
The subject of Glenn Burgess’ new book is an exciting one, and its author is well qualified to tackle it. Political thought is a lively and flourishing field within history, and Glenn Burgess has done much to promote it.
This book brings together 12 previously published essays, with a substantial new introduction. The essays fall into three broad sets.
At the conclusion of her history of Marian devotion, Mother of God, Miri Rubin states, ‘For in woman’s capacity to act as a generous host, to contain a body in her body, there is an act of tremendous hospitality’ (p. 424).
The first principle of understanding history, I was taught, is to sympathize with the historical actors, to immerse oneself in their context and perspective.(1) Otherwise, history becomes a fabricated reconstruction – more about the writer's ideology than the events of the past.
This is a very interesting volume, which aims to bring together the variety of contexts and genres in which ancient history was employed and studied during the Enlightenment.
Small and Special is the database of the historic admission records for the Great Ormond Street Hospital for Sick Children.
The Blackwell Companions to British History enjoy a reputation for quality of scholarship, clarity of text and range.
Sascha Auerbach’s Race, Law and ‘The Chinese Puzzle’ in Imperial Britain is a truly unsettling account of how in the 19th and early 20th centuries media, politicians, trade unionists, writers, thespians, film makers, and not least police and court officials across the British realm stolidly and uncompromisingly articulated and executed racist, Sinophobic judgements, deliberately whippe