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Unequivocally, until today the vast majority of the academic works on the history of the abolition of the transatlantic slave trade have focused on the British side of the story.
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 1800, and we are at a private party in London, attended by leading Whigs including the playwright-politician Sheridan.
D. K. Fieldhouse’s goal in this major comparative study of British and French imperialism in the Middle East is to consider the effects of the imposition of the mandate system on the former Arab provinces of the Ottoman Empire.
Previous investigators, whom Todd scrupulously acknowledges, have focused, she argues, on London and on urban communities such as Preston and the Potteries with a strong tradition of working wives—or on the world beyond work.
In her introduction the author emphasizes that her book, Operations Without Pain: The Practice and Science of Anaesthesia in Victorian Britain, is ‘In no way … intended to be a linear history of discoveries, techniques, or famous men’ (p. 4).
France in the early-modern period presents us with a range of striking images, from its bloody civil wars to its fabulous court at Versailles, from its swashbuckling musketeers to its mistreated peasantry, all of which feature in the pages of this impressive monograph.
The American Ballot Box is the latest of a series of important books by Richard Bensel, one of the leading practitioners of ‘American Political Development’ (APD), a subfield within the discipline of political science in the United States.
Forty years ago last autumn, Cornell University Press published a revised and expanded dissertation, The Problem of Slavery in Western Culture (1).
How does one find information about an author, an anonymous text, or a genre of writing from a particular region in the middle ages? Where does one search for writers of saints’ lives, authors of diaries or letters, historians, and chroniclers?
There is a traditional, whiggish, account of toleration in early-modern England that sees it as the polar opposite of persecution, and charts its gradual triumph over its evil antithesis.