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The narrow streets of ancient Naples are like the bottoms of chasms that meet at right angles.
Whatever happened to the history of nineteenth-century British popular culture? In the 1970s and 1980s, this was an exciting field that produced a series of invigorating and pioneering works. (1) Fulfilling the promise of E. P.
The Winchester pipe rolls are among the very greatest monuments to medieval English administration and record-keeping.
Now is an appropriate time to consider the role of the British Navy and its cultural significance. 2005 marks the bicentenary of the Battle of Trafalgar, the apogee of British naval glory. Trafalgar is a story of national tragedy as well as triumph, of course, as Britain’s stunning victory over the French came at a huge cost, namely the loss of Admiral Horatio Nelson.
Margot Finn’s book The Character of Credit: Personal Debt in English Culture, 1740–1914 is the first volume in a new series published by Cambridge University Press (Cambridge Social and Cultural Histories) which seeks to draw social and cultural history more closely together.
Barbara Ramusack bases her study of indirect rule under British imperialism mainly on research, including her own, which has been done since the 1960s. As she reiterates throughout the book, the topic of the ‘Native States’ is not one which has attracted widespread scholarly attention.
It is not often that a tutor is handed an entire course on a plate, ready for consumption, served up complete with material for the lectures, case studies, points for seminar discussion, essay questions, as well as primary and secondary readings for student use. But that is exactly what the pair of books under review provide.
Early and silent cinema is generally ghettoised in popular culture. Early film, British or otherwise, is mostly seen by the public on television as illustrations for documentaries and is rarely, if ever, the subject of them. Yet the study of early British cinema is the study of a still relevant, living entity.
Ottoman histories – better put: histories of the Ottoman state – have some right to be regarded in a pseudo-Braudelian sense as une historiographie du longue durée.
When one thinks of the Liberation of France after World War II, one generally thinks of those weeks as ones of a transition from German control through a short, if intense period of anarchy and chaos to the establishment of centralised control by a new, if provisional, French government, with law and ord