As the editors Christopher Woolgar, Dale Serjeantson, and Tony Waldron underline on the first page of the introduction to this book, ‘food and diet are rightly popular areas of research, central to understanding daily life in the middle ages’.
Is biography still a legitimate activity for professional historians in the twenty-first century? In contrast to many of the newer approaches towards the past, biography smacks of a very traditional top-down, mostly man-centred, approach. Medieval biographers face the particular problem of relatively restricted source material which led K. B.
Whilst the politics of the British radical right has produced a flourishing scholarship, there has been little systematic attempt to understand its development over the long term.
As popular television and film insists on reminding us, Jesuits were infamous in the early-modern period for plotting the deaths of monarchs. Shekhar Kapur’s portrayal of Edmund Campion in Elizabeth (1998), cloaked and dagger in hand, is a case in point.
Duncan Bell’s book comes with an intriguing picture on its front cover: Gustave Doré’s famous 1860 depiction of a New Zealander perched on a broken arch of London Bridge sketching the ruins of St Paul’s and its environs. The image, derived from an essay by Thomas Babington Macaulay, captures much of the Victorian premonition and anxiety about empire.
It has often been observed that the greatest legacy of the Paris Commune of 1871 was its myth. In its short duration the Commune failed to transform Paris in any lasting way – even its supreme gesture of repudiation of the military traditions of the French past, the toppling of the Vendôme column, was to be reversed.
In 1990, immediately after UN Security Council Resolution 678 provided authorisation for the use of force to expel the Iraqi military from Kuwait President George H. W. Bush said in a news conference:
Whether or not Michael Maas is right that ‘many excellent studies of Justinian and his age’ exist (p.